The Golden Gate bridge rarely last long in monster movies... |
I think it is only fair to be upfront with you, dear reader, and tell you that I have been looking forward to seeing this movie ever since they first leaked details of its existence all the way back in 2010. I got even more excited in 2011 when it was announced that Gareth Edwards, who had previously brought us Monsters, would be the director; after all, in his interview he stated that "our biggest concern is making sure we get it right for the fans because we know their concerns. It must be brilliant in every category because I'm a fan as well".
By the time the first teaser trailers hit I was desperately hoping for a Godzilla movie that would scrub away the horrible memories of the 1998 version; a Godzilla movie that would drag the radioactive lizard's franchise firmly into the 21st Century and build upon Pacific Rim's excellent work in making giant monsters cool again. Hopes that were fuelled by the official trailer that was filled with a smorgasbord of destruction and emotions, alongside hints of conspiracy and Godzilla himself...
So, how did it turn out? Well, it's very much a tale of two parts...
The first part is contained within the first 30 minutes of the movie in which Bryan Cranston - he of Breaking Bad fame - puts in a star turn as a grief stricken father who is certain that the government knows far more than it is willing to admit about the destruction of the Japanese nuclear reactor that he and his wife worked at. And, frankly, as I was sitting through the first 30 minutes I was thinking to myself 'wow - if it keeps going like this, they are going to have not just made a great Godzilla movie but they'll have made a genuinely great movie - full stop."
So maybe it was my fault. Maybe I jinxed it. But, you see - for reasons known only to the film makers - they decided not to make Bryan Cranston the main protagonist but, instead, passed that mantle onto his son (the wonderfully named, Ford Brody, played by Aaron Taylor-Johnson), who just so happens to be an American-as-apple-pie marine cut from the same nondescript cloth as a thousand other action movie heroes (with an equally nondescript wife in the shape of Elizabeth Olson waiting for him at home). And, from that point on, the second part begins and things descend into a world of contrivance and illogic as Ford somehow manages to find himself in every single place in the world that the monsters happen to pop up...
And yes, I did say monsters - plural (although, that's not too much of a spoiler if you caught any of the later trailers) - but, unfortunately, we spend the majority of our time having to make do with two generic monsters that look like they were the unwanted love children of the monster from Cloverfield and the bugs from Starship Troopers. Indeed, considering the title of the film is Godzilla, you may well end up surprised by how little Godzilla you actually get to see...
I really wanted to be blown away by this movie. I wanted something utterly bombastic, a testament to all that is good about monster movies but instead I got a generic 'action hero must save the world single handedly' character arc and not enough Godzilla. And maybe I shouldn't have wanted more than I got, but you see the first 30 minutes of the film served as an advert for how good this movie could have been - a big, fat what if that only highlighted how insipid and uninspired the remainder of the movie ended up being.
Yes there is destruction on a glorious scale, yes there are monsters fighting and yes Godzilla looks like he should and is a whole lot bigger than the puny version seen in the 1998 version. But, this could have been so much more, could have been so much better. It's not so much that Godzilla is a bad film, it's just that it's an unsatisfying one. I wanted to love it but, as you probably guess by now, I didn't...
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